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|| Mahavidya Chinamasta Anushthaan ||

|| Maata Chinnamasta Pujan ||
 
 

Beneficial for............. Giving Courage, Sexual Energy, To overcome at the evil impact of Planet Rahu.
 

Mahavidya Chinnamasta is the one of the 5th Mahavidyas. The literal meaning of the word Chinnamasta is one with a several head. Mahavidya Chinnamasta is traditionally portrayed as a naked or scantly dressed woman astride the bodies, in intimate position, of Kama (Hindu god of love and sexual lust), and his wife Rati. Mahavidya Chinnamasta, having severed her own head with her own sword, holds her severed head on one of her hands. Three jets of blood spurt out of her bleeding neck, and one streams into her own mouth of her severed head, while the other two streams into the mouths of her two female associates. Mahavidya Chinnamasta is the goddess of courage and discernment and sexual energy.

It is said that one day Parvati went to bathe in the Mandakini River with her two attendants, Jaya and Vijaya. After bathing, the great goddess's color became black because she was sexually aroused. After some time, her two attendants asked her, "Give us some food. We are hungry." She replied, "I shall give you food but please wait." After awhile, again they asked her. She replied, "Please wait, I am thinking about some matters." Waiting awhile, they implored her, "You are the mother of the universe. A child asks everything from her mother. The mother gives her children not only food but also coverings for the body. So that is why we are praying to you for food. You are known for your mercy; please give us food." Hearing this, the consort of Shiva told them that she would give anything when they reached home. But again her two attendants begged her, "We are overpowered with hunger, O Mother of the Universe. Give us food so we may be satisfied, O Merciful One, Bestower of Boons and Fulfiller of Desires." Hearing this true statement, the merciful goddess smiled and severed her own head. As soon as she severed her head, it fell on the palm of her left hand. Three bloodstreams emerged from her throat; the left and right fell respectively into the mouths of her flanking attendants and the center one fell into her mouth. After performing this, all were satisfied and later returned home. (From this act) Parvati became known as Chinnamasta.

There are two different interpretations of this aspect of Chinnamasta's iconography. One understands it as a symbol of control of sexual desire, the other as a symbol of the goddess's embodiment of sexual energy. The most common interpretation is one where she is believed to be defeating what Kamadeva and Rati represent, namely sexual desire and energy. In this school of thought she signifies self-control, believed to be the hallmark of a successful yogi.

The other, quite different interpretation states that the presence of the copulating couple is a symbol of the goddess being charged by their sexual energy. Just as a lotus seat is believed to confer upon the deity seated atop its qualities of auspiciousness and purity, Kamadeva and Rati impart to the Goddess standing over them the power and energy generated by their lovemaking. Gushing up through her body, this energy spouts out of her headless torso to feed her devotees and also replenish herself. Significantly here the mating couple is not opposed to the goddess, but an integral part of the rhythmic flow of energy making up the Chinnamasta icon.

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